This is an often-repeated piece of advice among many that co-parenting a canine companion following a split is ill-advised. Most will argue such arrangements impede ex-partners from finding closure, cause practical headaches, fuel disputes, and become annoying for all parties. Seemingly, and in a twist suited to a direct-to-platform film, it reportedly leads to our furry friends to feel down.
Without minimizing the inner life of animals – pet parents observe their deep emotional capacity. If you need masterclass in dog sorrow, simply recall a past film. There is little doubt that a dog of Merv's nature, a spirited little dog brought to life by the canine actor Gus, would find it difficult adjusting to life in two homes. The idea of basing a full holiday film around this situation is sustainable seems rather doubtful.Standard Holiday Fare
To its credit, Merv, written by its screenwriters and directed by playwright Jessica Swale, makes no grand claims deeper than what it is. We have here a seasonal offering from a corporate studio – the ambitions is limited. Its storyline proves to be uncomplicated: a separated couple Russ, played by Charlie Cox and Anna (Zooey Deschanel), confronting that their post-breakup gloom is surpassed by their dog's, decide on a therapeutic trip to a dog-friendly resort. Once there, as expected, they will surely realize the idea that they are better together. Ensemble players – featuring a group of comedic actors – fulfill roles quirky, thinly written, or broadly comic. Visually carries the feel of a streaming service original, with a wintry atmosphere that is obviously artificial – think obvious snow effects clinging to lush pines as a warm climate stands in for a cold December city.
Where the Film Shines
How these familiar elements coalesce into an entertaining watch depends on the actors' work and the viewer's appetite for easy entertainment. For the comfort factor, Merv targets a specific viewer – individuals who browse regularly for dog videos. It provides a series of adorable dog montages. The main attraction is Merv himself, and though it results in some awkward editing between animal action and people's faces, the movie does offer canine party antics, dog depression, and, finally, doggie joy.
Where It Wobbles
The same praise cannot be applied for the interpersonal drama. The tone wavers between serious study, wacky comedy, formulaic romance, and outright slapstick, not quite landing a consistent feel. This is not Charlie Cox, who is admirably committed the silliness and cringe demanded of the unusual premise. Cox exhibits a charming humility that supplies much of the film's charm for this ostensibly perfect couple. Zooey Deschanel, true to her usual style, imparts a certain millennial quirkiness that will either resonate with viewers. Her portrayal seems a little too aloof, especially when paired with Cox's genuine sadness. (It should be noted, Gus the Dog manages looking despondent – not quite Messi from that acclaimed drama, he's definitely a scene-stealer.)
Merv tries to add substance to the central romance for scenes without their pet – a bit of a pity, considering the title character is undoubtedly the best part of this cute-aiming movie. Unsurprisingly, it achieves only baseline competence. The catalyst for their separation would feel more adult and realistic with more screen time and more subtle storytelling. As it stands, Merv is light and sugary, hitting every expected note. Crafting a story with this canine conflict isn't a bad idea – though it's hardly a stroke of genius.
- Merv streams on Prime Video on December 10th.
